Peter J. Crowley

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Art and freedom go hand and foot.

03.07.2009 by Peter J. Crowley // 4 Comments


The doorway to an artist a path that the Leprechaun might find. It isn’t that the entry is hidden it is a state of mind. Many feet pass through this door yet most of them are blind to the color and the light before them, tis sad that the child is left behind. So as you stroll through the doorway look for the brightly colored palette it’s there inside your mind. Look forward and back for freedom you might find.


enjoy pjc

Photographic Art

Prints for the people

Categories // Artist Portrait, Colorful Feet, Colorful Mind, Doorway

Art Warms the Soul

03.05.2009 by Peter J. Crowley // 5 Comments


The lights are on but the lot is empty is this the fate of small business? It’s night so perhaps they are closed. It’s also cold, February 26th 8:30 a polite women stops her car and shuts out the lights and waits for me to get my image civility isn’t dead. I wave her on thank her and stand in the cold. Pondering “Winter in America,” [a song/poem by Gil Scot Heron find it and listen] the world the cold which is not the temperature so much as a metaphor for humanity. Tonight I am warmed by the simple act of kindness of the women not wanting to interrupt my image. pjc

This week there are two art opening of note that will warm my soul and yours to if you come out.
we are one
a new body of work by sandra jeknavorian

MARCH 6 – MARCH 31, 2009 OPENING RECEPTION: FRIDAY, MARCH 6, 6-9 PM ARTWORKS 49 CHURCH STREET NORWICH, CT (860) 889.2413 ADDITIONAL GALLERY HOURS BY APPOINTMENT

Roberta Sulls “Spring Cleaning Collection”
Opening Reception Saturday March 7th at 7pm At The Bean and Leaf 13 Washington St. New London Ct. 25% of Roberta sales will be donated the The Women’s Center in New London

Photographic Art Support Small Business

Categories // Roberta Sulls, Sandra Jeknavorian

The City as a Muse

03.01.2009 by Peter J. Crowley // 7 Comments

Thread City Willimantic Connecticut. The stories told by the walls and oily floors of the granite mills on the banks of the Willimantic River. Stories told with a broken English accent, French Canadian, Irish, Italian, Spanish wherever labor [people] could be brought in cheaply to work and replaced like old shoes when a new crop could be imported with that dream. Now, well 20 years ago the mill owners cashed in their Victorians on the hill for the new crop of labor was in the south and the mills sat silently telling tales of romance, hard work and the new life that had left them behind.


New London, a Royal port when the fleet was in I’m sure. I haven’t lived there, yet I am inspired by the tales of the waterfront. Bank Street bars and brawls sailors in dress whites whisper to me on the breeze that blows up the alleys from the Thames. Fewer sailors and more color as the artists move in and repaint the history of New London, with phallic subs on one side of the Thames and Viagra to keep the hard line old Admirals shooting off.


Norwich since 2001-2009 a favorite building and early coffee stop round and round, many old facades, many old boys, round and round, many new facades, round and round. Hang on to the rail change is coming, round and round.


A Muse without breasts.


There are places I go, within and without that are like Brigadoon
Except while there I am present
through out the century.
Small areas, Expansive thoughts
,
Neon, a door,
Life’s that
traveled
Through the door
It is fictional History

You provide the memories and the ghosts!

February 18 2009 Copyright Peter J. Crowley

Photographic Art

March Specials last month of? See what spring brings?

Categories // Faces and Facades, The City as a Muse

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