Peter J. Crowley

Fine Art Photographer

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Film, Digital, Composition, Negative Space, Simplicity

05.26.2016 by Peter J. Crowley // Leave a Comment

A life in Photographic Art my second book

A Life in Photographic Art will have some thoughts on composition, technique but more words on emotion and seeing. Composing with and sharing you soul. A few poems, essays sarcasm and humor it is after all my life.

Subject Photography sure it is important to get your subject correctly but does that mean in the center of the frame? What about the rest of the image? Now you have your subject where you want them beautiful smiling face legs cut off by the bottom of the

frame a few inches of nothing above. But she looks great. What surrounds the subject is at least 50% of the images importance. The negative space directs the viewers eye creating eye motion resulting in a longer look.

Motion the image may be still but by implying motion and understanding eye movement your images will speak with a more compelling voice.

Where to crop when composing Never at wrists or ankles, an arm cut at the wrist leading out of the frame will take the viewers eyes with it, same with ankles. 

When the subject is moving…..

DSC_0414 OHS Juggers example for composition post.Like here walking down North St. Digital camera and 85mm F1.8 Nikkor lens. Manual Glass. A test for my eyes and Technique see the light on hair frame focus expose. I miss the shot, lens is sharp and my quickness is good BUT where do the runners step next? When subject is moving there must be landing space.

CDT Conn. Dance Theater The Web Mary M. Giannone
CDT Conn. Dance Theater The Web Mary M. Giannone  Choreographer 1978

Here she has a space to land and the feel is much better. The runners neg space is also interrupted by the arrow sigh growing from the head of one of them. Yes I could take it out but that is not me. I see and shoot full frame what is in the image I put there. It is a way of seeing the way I see. The dancers negative space the web carries the same motion as the leg holding the viewers eye in the frame. A series of triangles moves your eye around the photo blocking you from moving to the next page.

bwFigureE-53-05-27Sharp15More triangles and DOF hold the attention. I have been seeing lots of soft focus lately Bokeh catchy new term DOF. Many images are just out of focus but online never say anything except wow great Bokeh yes a missed focus still impresses your FB Friend. I think some company is now selling not sharp lenses to create an “effect.” In the 70’s when soft focus was popular you could buy filters. I used to compose by breathing on my skylight filter and shoot as the moisture dried. If I wanted center focus I would put a dime on the filter then breath. Thought problem solving but there is an App for that.

DSC_0094 carl and Me 10-12-14An early digital conversion to B+W muddy gray and gray with a slight color cast. The first post of this was quite black and blue as the whites went to blue. Still when posted it was the most popular post in a long time. Better now but still with a magenta cast to whites and still muddy. I asked for guidance to improve my B+W. The consensus was $$$$ buy a program or two get an app. I pondered and thought read and some blogs and viewed a few tutorials most telling me to buy $$$.  

Deschutes River at Tumwater Falls 6/16/15
Deschutes River at Tumwater Falls 6/16/15

The River here is Digital the figure above is film both printed warm tone as I would in the darkroom it is close but it isn’t art till it is on paper. This is how I prep B+W images for the web. Be it a film scan, a digital shot in color or in B+W I open the image in PS Elements 10 and convert to B+W, open enhance click on adjust color and color variations move slider to left the smallest adjustment. Then take out 2-4 Blues why cause they are there despite what the scan being B+W or image created in Mono mode it is still color. Take a sheet of white paper and hold it next to the highlight of your image. If my wandering around the internet reviewing photos can be believed that highlight will be light blue in 80% or a few % magenta. Contrast and tonal range  to get a black and a white and 5-7 tones in between. I use the modified Zone system for 35mm. Adams set the zone for 10 grades using an 8×10 negative. Thirty Five mm film will most likely hold 7 zones. Is your monitor calibrated? Not cause the kid at Best Buy said so but is it? Of course you can buy software to do this I was lucky to have a friend with a spider. So a few years back my desktop was done. I know it is still good because I have this to compare a gray scale from Gerald at the Black and white forum http://www.bwphotographyforum.com/index.htm see bottom of page. On my laptop I have a portrait of me down on 8×10 film I measure from the top of the screen to the J on the keyboard which is the correct angle of view to see a calibrated image. This angle is critical so your process is repeatable and reliable. As in film process exact repetition creates consistent results.   

The Zone System is about controlling correct  exposure. Recently I saw a program being touted as the Zone System for light room? I laughed another program BANDAID, for photographers too busy to get exposure right. I’m waiting for the cell phone app.

Auto photography and zoom lenses causing faulty technique. At first I thought it was digital and auto everything that was the starting point for this problem but the more I ponder the more I see blame spread out. Example you are photographing a portrait with a 28-105 zoom you stand in one place and focus on subject full length just zoom out just face zoom in never moving hence never looking beyond the subject. Not realizing the prospective and DOF change and when focal length changes or the changes in the negative space keeping your sights locked on the eyes. Failing to experience 50% of the image. By using prime lenses you are forced to see the surroundings as you walk closer. Here you are forced to see the interaction between the subject and the environment/negative space. You create this relationship you make an image.  

 

Photographic Art    More thoughts on composing

enjoy pjc

Categories // Digital and Film, Figures, Film, Film 35mm, Fine Art Photographs, Full Frame, Motion, Movement, Negative Space, Nikon, Olympia Wa., Technique, Thought, Uncategorized Tags // B+W Fine Art Photography, Olympia, Photographic Art, Silver Gelatin, Simplicity, Technique

Communication in a word or at least a contraction.

10.08.2015 by Peter J. Crowley // 2 Comments

DSC_0039 Ss15 LgtSwea+30 Cnst-20 The Texter 9-21-15

The Text Message

Keep that damn sun of my screen. Wa. State Fair. Colors, sound, games, food, PEOPLE. Texting, talking at not talking to. So many ways to communicate so little said, over and over. Had a dial phone as a kid till the early 2001 worked great talked socialized communicated thoughts emotion values. Mid 90’s the WWW and emails often thought out researched avenue for creative thought. Forums people of a like mind discussing ideas, emotions, Art. I used to communicate by email lots. A month or so ago a friend emailed me some news from back in Willi with a comment that she thought she might have to join FB to reach me. But my email still works my messages always longer than the response. Social nitwitting where shallow is taken to a new level. “The Like Button” where you can comment without a thought. How convenient.  Today I read that the “Like Button” is being upgraded now you can ad a pixel-ed  emotion to your Like how very sweet.  P.M.ing with an artist friend yesterday 5 interchanges friends replies total 25 characters including the exclamation point. I’m old but I still hope that communicating is more involved then to just figure out how few letters it takes to say nothing.  I think the image says how I feel about texting. At this point please click the like button at the top of the page.                  enjoy pjc

Photographic Art    Significance a Poem

 

Categories // Artificial Intelligience, Autumn, Conversation, Identity, Olympia Wa., People, Reflecting on past, Technology Drivel, Thought, Verbal images, Washington Tags // Ambiance, Blending the past and the present, Color Fine Art, Humanity, Olympia, Photographic Art

Three “T,s” from My Life

09.13.2015 by Peter J. Crowley // 2 Comments

 Truda Kaschman Thirty years since we have spoken. I still listen.

SCAN0098 Ss15 Sat+25 Drk20 Cnst75 Truda Kaschmann John BatTerry Buried Child Univ. Ct.

SCAN0097 Ss15 B-3 Cnst30 Drk50 Burield Child NutMeg 80sTrains, Thomas with Inara.

DSC_0712 S25 Kel6000 Sat+10 Northwest Railway Museum 7-10-15

Photographic Art             Motion made still to imply motion/emotion

Categories // Abstract, Antique trains, Arts, B+W Fine Art, B+W Silver Gelatin, Ballet, Between Here and There, Black and White Fine Art, Color Fine Art, Dance, Dancers, Digital and Film, Film, Fine Art Photographs, Motion, Movement, Nikon, Olympia Wa., Past life's, People, Performing Arts, Railroad, Reflecting on past, Theater, Thought, Train adventure, Uncategorized, Washington Tags // Antique, B+W Fine Art Photography, Blending the past and the present, Color Fine Art, Dance, Humanity, Olympia, Photographic Art, Silver Gelatin

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