Peter J. Crowley

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The Pride of Baltimore

01.06.2015 by Peter J. Crowley // Leave a Comment

Is this John Waters boat? New London Autumn 2012 Silver Gelatin peace pjc

ACD012A Pride Of Baltimore New London3

Photographic Art Galilee RI

Categories // B+W Fine Art, B+W Silver Gelatin, Film, Film 35mm, Fine Art Photography, New London Ct, New London Sail Fest, Photographic Art Tags // Ambiance, Olympia, Photographic Art, Silver Gelatin

Black and White Conversion Thought Process

12.27.2014 by Peter J. Crowley // 13 Comments

As I learn to convert color to B+W from digital I realize that I see differently. When looking through my new images I find almost none that want to become B+W except the ones I shot in the camera mode for B+W. I have been reading through the suggestions from Members of Linkedin groups. Working with Elements 10 I have to interpret the suggestions to match my program. Here is an image converted to gray scale and using levels to adjust contrast. Second image is B+W shot in camera mode. Funny I go out to shoot B+W I am thinking and seeing in Black and White. I guess it is an old film thought pattern.

DSC_0094 carl and Me 10-12-14

Me and Carl in Connecticut 10/12/14 a last visit.

_DSC0138 B+W Port 12-19-14

Image B+W in camera mode straightened in Windows Photo Gallery and contrast adjustment using levels in Photo Shop. Have to learn to see in B+W while shooting in color. Lots to learn comments encouraged. peace pjc

Photographic Art Silver Gelatin

Categories // B+W Fine Art, B+W Silver Gelatin, Digital and Film, Friends, Olympia Wa., Photographic Art Tags // Blending the past and the present, Olympia

Capitol Theater Ally 12-19-14

12.19.2014 by Peter J. Crowley // 6 Comments

_DSC0163 Capital Theater Ally 12-19-14

Today’s stroll was a B+W world. I continue to learn/teach learn camera and teach camera to do what I want. I like to work front end composition that is compose in the view finder not in post process. Rees a fellow art photographer had once suggested to use a Red filter when trying to get B+W from digital. This is a film thing for adding more contrast. We have both found that digital B+W is a little flat the medium expects you to fix this in post process. Well I still want to do image on the front end in camera not in the digital darkroom. This is how I worked with film. When I would load a roll of film I would select a developer before exposing deciding at the beginning what contrast I wanted from this roll. Adjustments were made by use of filters low contrast situations, shoot with yellow, orange, red to pick up contrast. In the darkroom just a change of paper grade. Now it helped that I had a couple bodies so I could go out to shoot and have a camera loaded with a low ISO film [100] which is more contrasty, and a faster film [400] which wasn’t as contrasty each shot with a dedicated developer for optimum results. How to do this in digital is what I want to learn and teach my camera what I want. The mode I use is Manual the image made is mine not the Mode set by the camera so my images will be exposed the way the focus group average determined. So a brief rant on individual creativity. No programs here. peace pjc

Photographic Art 1998 my first trip to Olympia.

Categories // B+W Fine Art, Black and White Fine Art, Olympia Wa. Tags // Black +White Fine Art Photography, Olympia, Photographic Art, Simplicity

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