Peter J. Crowley

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Light Color B+W Digital What Does Meter See?

05.21.2015 by Peter J. Crowley // 2 Comments

_DSC0208 Ss30 LgtBud80 CnstBud+30NoFilt 5-21-15So on my almost daily walk to get cookies I come to my poppies, not mine really but a great subject when in bloom. I am shooting with my camera set to B+W with a RAW color file but it is Digital B+W I am focused on learning. I make a couple of exposures, but not liking the contrast my mind drifts to film.  Film I’d use a filter to pop the contrast.  This is without filter.

_DSC0213 Ss30 Cont+S+Ltg Buds Lgt50 Cnst+40 Red Filt 5-21-15I add a Red 25 filter meter and shoot. Image is way underexposed say 4 times or two stops. Check meter and am given the same reading. Open up two stops for the filter factor and get this image. Now I really wonder, it is my understanding that the digital sensor makes a mathematical calibration of light that is not seeing light as film does. Does the sensor not see the different colors? The affect of the filter is very similar to use with film the bright orange poppy is lightened while the green in background is darkened. Which is exactly what I wanted in this back light scene. Something to think about and experiment more with. Both images worked in PS but just to resize and burn dodge.                  enjoy pjc

Photographic Art Infrared Shewville Road Ledyard Ct

Categories // B+W Fine Art, Black and White Fine Art, Creativity, Diggie, Digital and Film, Flowers, Olympia Wa. Tags // Black +White Fine Art Photography, Flowers, Olympia, Photographic Art

Capitol Theater Ally 12-19-14

12.19.2014 by Peter J. Crowley // 6 Comments

_DSC0163 Capital Theater Ally 12-19-14

Today’s stroll was a B+W world. I continue to learn/teach learn camera and teach camera to do what I want. I like to work front end composition that is compose in the view finder not in post process. Rees a fellow art photographer had once suggested to use a Red filter when trying to get B+W from digital. This is a film thing for adding more contrast. We have both found that digital B+W is a little flat the medium expects you to fix this in post process. Well I still want to do image on the front end in camera not in the digital darkroom. This is how I worked with film. When I would load a roll of film I would select a developer before exposing deciding at the beginning what contrast I wanted from this roll. Adjustments were made by use of filters low contrast situations, shoot with yellow, orange, red to pick up contrast. In the darkroom just a change of paper grade. Now it helped that I had a couple bodies so I could go out to shoot and have a camera loaded with a low ISO film [100] which is more contrasty, and a faster film [400] which wasn’t as contrasty each shot with a dedicated developer for optimum results. How to do this in digital is what I want to learn and teach my camera what I want. The mode I use is Manual the image made is mine not the Mode set by the camera so my images will be exposed the way the focus group average determined. So a brief rant on individual creativity. No programs here. peace pjc

Photographic Art 1998 my first trip to Olympia.

Categories // B+W Fine Art, Black and White Fine Art, Olympia Wa. Tags // Black +White Fine Art Photography, Olympia, Photographic Art, Simplicity

Sometimes a Single Eye Speaks the Emotion

03.30.2010 by Peter J. Crowley // 6 Comments

A Life in Photographic Art Forty five years of seeking the highlight, finding the Muse.
hopeNightgownVicHouse

Sometimes the muse is a woman, sometimes a flower. Most often it’s me.

peace Peter J. Crowley

The Aztec Motel 2008

Categories // B+W Silver Gelatin, Black and White Fine Art, Film, Fine Art Photography, Models, Photographic Art, Silver Halides, Uncategorized Tags // B+W Fine Art Photography, Black +White Fine Art Photography, Photographic Art, Portraits

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